HOMOEROTIC DESIRE AND ANDROGYNOUS CHARACTERIZATION IN CHINELO OKPARANTA‟S UNDER THE UDALA TREES, JUDE DIBIA‟S WALKING WITH SHADOWS AND K. SELLO DUIKER‟S THE QUIET VIOLENCE OF DREAMS

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Date
2020-03
Authors
YAKUBU, Eugene Shichet
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Abstract
The emergence of queer themes and characterization in modern literature has challenged the traditional understanding of rigid sexuality by introducing genderqueer and androgynous characters. This has opened the possibility of diversity in literary characterization and in representing characters as either male or female. This dissertation, therefore examines the trope of homosexuality in contemporary African fiction as a biological and natural form of sexuality and in early African fiction as ―UnAfrican‖ and a western perversion. As a result of the fluidity of characterization introduced into literary characterization by queer characters, this study conceptualizes homosexuality as arising from the mental processes of psychosexual development. It proceeds on the assumption that the trope of queerness is useful in understanding the fluidity of gender roles and the processes through which characters choose their sexuality and interprets queerness in the selected texts as neither a natural or biological category of sexuality but as developed through psychosexual processes of sexual development. This study maintains its arguments by understanding queerness from discourses in the field of Queer Studies and Psychoanalytic Literary Criticism that express the processes whereby sexual orientation is developed. Freudian Psychoanalytic Literary theory will show that an unresolved oedipal conflict can lead to an arrested development of normal sexuality. This study examines queerness and androgynous characterization in Chinelo Okparanta‘s Under the Udala Trees, Jude Dibia‘s Walking with Shadows and K. Sello Duiker‘s The Quiet Violence of Dreams in order to deconstruct the authors‘ interpretations as pseudo-biological musings and to show that queerness has a possible psychological interpretation and that people are not born into but rather choose their sexuality. The study shows that even though queer characters are scarcely represented in early African fiction, sociological evidence has proved the availability of queer characters in Africa. This study also maintains that in a desperate bid to drive a queer notion into art and literature, contemporary African writers are reconstructing queerness as a biological and natural category of sexuality. The study of queerness proves to be a viable means of interrogating Africa‘s heterosexual history, androgynous characterization, homophobia and identity.
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A DISSERTATION SUBMITTED TO THE SCHOOL OF POSTGRADUATE STUDIES, AHMADU BELLO UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE AWARD OF MASTER DEGREE IN ENGLISH LITERATURE. DEPARTMENT OF ENGLISH AND LITERARY STUDIES, FACULTY OF ARTS, AHMADU BELLO UNIVERSITY ZARIA, NIGERIA
Keywords
HOMOEROTIC DESIRE,, ANDROGYNOUS CHARACTERIZATION,, CHINELO OKPARANTA‟S,, UDALA TREES,, JUDE DIBIA‟S WALKING,, SHADOWS,, K. SELLO DUIKER‟S,, QUIET VIOLENCE,, DREAMS.
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