THE FORMS AND AESTHETICS OF UDJE SONGS OF THE URHOBO PEOPLE

dc.contributor.authorWOGAGA, BODEYAN OGHENE
dc.date.accessioned2014-02-17T12:34:54Z
dc.date.available2014-02-17T12:34:54Z
dc.date.issued2011-12
dc.descriptionBEING A THESIS PRESENTED TO THE POST GRADUATE SCHOOL, AHMADU BELLO UNIVERSITY, ZARIA, IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE AWARD OF THE DEGREE OF MASTERS OF ARTS (M.A) IN LITERATURE DEPARTMENT OF ENGLISH AND LITERARY STUDIES FACULTY OF ARTS AHMADU BELLO UNIVERSITY, ZARIA SEPTEMBER, 2011en_US
dc.description.abstractThis appraisal is on Udje dance songs of the Urhobo people. The study looks at the aesthetic qualities that abound in the Udje songs of the Urhobo people. The researcher analysed songs collected from field work and some collected by G. G Darah. In analysing the songs, the contextual theory was used as its analytical frame work which eventually brought out the forms and beauty that abounds in the udje songs. The research is divided into four Chapters, the first Chapter deals with the background to the study, the historical background of the Urhobo people, its theoretical frame work, statement of the research problem, aims and objectives, research methodology, limitation to the research and its literature review. Chapter two deals with the aesthetics of oral literature, the processes involved in the performance of udje carnival, the hybrid nature of udje and the poetic functions of udje. Chapter three is its analysis and Chapter four is the conclusion of the studyen_US
dc.identifier.urihttp://hdl.handle.net/123456789/1793
dc.language.isoenen_US
dc.subjectFORMS,en_US
dc.subjectAESTHETICS,en_US
dc.subjectUDJE SONGS,en_US
dc.subjectURHOBO.en_US
dc.subjectPEOPLEen_US
dc.titleTHE FORMS AND AESTHETICS OF UDJE SONGS OF THE URHOBO PEOPLEen_US
dc.typeThesisen_US
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